Saturday, December 3, 2011

P!nk vs. Katy Perry - "The One That Got Away"

Skin by Fondant

With Katy Perry's "The One That Got Away" climbing the charts for a potential record 6th #1 from her "Teenage Dream" album, I thought it would be fun to see how it stacks up against another pop diva's song of the same name. P!nk's "The One That Got Away" was never a chart-topper (it wasn't even a single), but it definitely holds its own against Perry's. How is that, exactly? Well, read on...

Vocals:
P!nk: Soulful, dynamic, improvisational
Perry:
Direct, powerful, carefully planned

Perry's song has much less musical space than P!nk's. The consistent, driving beat and simple arrangement force the melody to occupy a very specific set of notes and rhythms. P!nk's song is more open, allowing her free reign to bust out her blues chops. While Perry's performance is strong, there's no nuance in the arrangement to support it, and it ends up bearing too much of the song's weight. There are advantages to both approaches, but here, P!nk comes out on top.

Hang on, P!nk, it's not time to celebrate yet

Key lines about different lives:
P!nk: "I'll look for you first in my next life"
Perry: "In another life, I would make you stay"


It's safe to say that both singers have given up on "The One" in their current life, but the subtle difference in how they address the way they would approach the situation, given another chance, is interesting. P!nk would take the burden on herself to find her lost love, whereas Perry would simply force the departing party to "stay".

How Katy Perry views men

Instrumentation:
P!nk: Acoustic guitar, backup vocals
Perry: Dance beats, keyboards, strings, backup vocals

While I've already mentioned the persistent beat that provides the foundation for Perry's song, I would be shirking my duties not to mention the lovely blues/rock acoustic guitar playing that anchors P!nk's. Moreover, the backing vocals in P!nk's song constantly reiterate and reinforce the title phrase, lending credence to lyrics like "you'll always be mine, in the back of my mind". In contrast, the bouncing quarter note piano line in Perry's song moves too quickly and robotically to capture the vulnerability that lines like "It's time to face the music, I'm no longer your muse" exhibit on paper.

Things often work better on paper

Fishing references:
P!nk: none
Perry: none

I cannot stress enough how much of a wasted opportunity this is.

Overall:
Katy Perry's "The One That Got Away" is undone by its attempts to fulfill the roles of both energetic dance number and melancholy ode to what might have been. P!nk's slower, stripped back approach comes much closer to capturing the longing feeling associated with lost love. P!nk's tune feels more sincere, but Katy's brings the party. In the end, it comes down to which characteristic is more important to the listener.

I'm gonna have to side with Linus on this one

1 comment:

  1. I agree, if I am going to fall off a dirtbike, I want to do it onto paper! That is all I have, until perhaps I listen to one or both of these songs ;)

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